Window breaker: Review by Jibril Naab (BFAFD28014)

 

Film Review by Jibril Naab: Window breaker (2007) – Directed by Tze Chun.





STORY AND THEME

‘Window breaker’ draws you in from the very beginning, almost leaving you confused and curious about what the story is really about. It creates suspense early on, leading the viewer to make assumptions that are later overturned. The plot revolves around a shady scheme by a security store to boost sales of their new high-security lock systems. Their method? They secretly orchestrate break-ins within the community to scare residents into buying their products. It’s a story that mirrors the idea of creating a virus just so you can sell the antivirus.

The film’s central message focuses on two key themes: the extreme lengths businesses can go to for profit, and the unexpected brilliance of children in uncovering adult corruption. It cleverly misleads you to suspect a feisty teenage Asian boy as the culprit behind the break-ins, only to later reveal the true criminal: an employee of the security shop. This twist is both unexpected and satisfying.

CHARACTERS AND PERFORMANCES

The characters are well-developed and believable. The dynamics between them, especially between the children is compelling. My favorite characters were the children. Their performances—often delivered without dialogue—were some of the most powerful and genuine in the film. Their natural interactions and expressions added depth and realism to the story.




CINEMATOGRAPHY

The cinematography has a raw, documentary-like feel to it, using handheld shots that include slight shakiness. This “unpolished” style actually enhances the film’s realism, making it feel more grounded in everyday life rather than like a fictional narrative. It brings the story closer to home and helps the viewer feel like a part of the world on screen.

One standout scene for me was when the kids’ mother visits the security shop to make enquiries. During her conversation with the shop attendant, he asks if she has any kids. Before she responds, the scene cuts abruptly. The very next scene shows a young woman entering the store and saying, “Hi, Dad” to the manager, with him replying, “Hey, kiddo.” That clever scene transition subtly connects the two interactions and impressed me with its quiet sophistication.


SOUND AND MUSIC

The sound effects and dialogue were clear and well-balanced throughout the film. While the score wasn't particularly memorable, it didn’t distract from the story. The sound design allowed the tension and emotion to come through naturally.


OVERALL IMPACT

‘Windbreaker’ exceeded my expectations. Its strongest points are its engaging storyline, well-executed twist, and ironically, its “unrefined” cinematography that enhances the film’s authenticity. One of the most emotionally gripping moments was when the marbles from the children’s trap are shown scattered across the floor, signifying someone had broken in. That simple visual cue created intense suspense.



I recommend this film.





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